Big uses his classical, fast delivery style that made him famous and renowned as a member of OutKast.
But a dope track nonetheless.īig Boi-Sir Lucious Left Foot.Son of Chico Dusty: If you haven't gotten it already, GET IT NOW. Birdman Junior also makes a cameo on the track, and does his usual thing, nothin real special. He also enlists the help of fellow Cash Money artist Tyga who lays down some of his best bars to date (really commands the mic the way he should due to his high skill level) and also provides the chorus, which is smooth and much like his work on his collabo mixtape Fan of a Fan with Chris Brown. Check it out.īirdman-" Loyalty": I have never really been a Birdman fan (mostly because I think he's fairly talentless) however, he uses an insane sample along with a heavy bass drop to shadow his lack of skill on the mic. He hits hard with crazy bars that drop on a deafening beat and bass drop. Twista-" I Do": a great Trackstar beat and Twista uncharacteristically slows down his delivery but creates a new flow that showcases his hidden skill of speeding up his rhyming scheme while keeping the pace of the song steady. More classic than progressive but a MUST have nonetheless.
The chemistry between Nasty Nas and Junior Gong is legendary and the product is indicative of their talent and the blending of two unbelievable talents. Nas & Damian Marley-Distant Relatives: A classic, and fairly non descript after that. My favorites so far are the lead singles "Super High" and "BMF" (solid tracks that show a contrast in his style and vast range, from the classy instrumental smooth style and flow to gritty, hard, Triple C styled "BMF") then "Aston Martin Music" (great Drake collabo track on a dope assssssssss beat) as well as "All the Money In the World", and "Maybach Music III". The Bo$$ continues to kill it on the mic while working with some of the best producers in the game to create a complete package track: great beat, great bars, great song. Rick Ross - Teflon Don: Ricky Rozay's album just dropped today and it is insane. His delivery and flow hit hard and perfectly time and mesh with the overall tempo and feel to the track, showing why he is The Bo$$. Rick Ross delivers a powerful performance on the track, laying down gritty bars that we haven’t seen since Trilla and showing he’s back on the grind and that he “gotta keep ballin”. League alternates between the gritty, street style and sound of a traditional Rick Ross track and the slowed down nature of Drake’s contribution to the end of the chorus in which he displays his (autotuned) vocal skills that we have come to be accustomed to from both So Far Gone and Thank Me Later. While Chrisette Michele lays down smooth, soulful vocals and the chorus, J.U.S.T.I.C.E. However, “AMM” presents the largest diversity between clashing beat and rhyming styles. League is legendary and has spawned major hits like “Maybach Music (I, II, III)”, “Luxury Tax”, “Magnificent”, and “Yacht Club”. His collaborative relationship with J.U.S.T.I.C.E. Due to the whole Corrections Officer scandal, Ricky Rozay has been taking a major hit since the release of Deeper Than Rap and, as a result, he has not been given the credit he deserves as a rapper and for his ability to find ridiculous beats.
0 kommentar(er)
